Tuesday, 17 January 2012

Keith Harrison Lecture

This is the work of Keith Harrison, he gave a 
lecture eariler in the year which was probably
one of the best we have had.
He is a ceramics artist but he really comes at for a 
contempory take, it was really obvious from the
word go that music was key to his work and it 
really did effect every aspect of his art.
The main piece we were walked through was a
large piece he did for Jerwood Award. The piece
was a massive sound system he made up himself that
had so many different aspects, the speakers 
were corner in with large slabs of clay that solidfied
and cracked while the music played through giving a constant
changing piece. There was alot of leg work leading up
to this final piece, he did alot of drawings and
little samples to try and work out the right
look he wanted. Perfection is something he really
strifes for in what i saw, through his drawings
and samples you can see weeks were spent on the 
smallest detail. Bit of expensive trait to have
but its got to be respected.

This is the one picture i could find of his
Jerwood Prize work.

Thursday, 12 January 2012

Rituals of Making

We were given the oppertunity to sit on a lecture
with three local artists, i really enjoyed it
myself the artists weren't to my taste but i just
enjoy to get a few new artists known.
This is Sue Lawty the first artist we got to look at
she was nice to listen too but i didn't really
get her field of expertise. She sort of did
little bits in alot of different things, metal,
stone, wood and even land art.
This piece is my faveriote of hers that ive seen,
  obviously being a smithy i am drawn towards
looking at metal so this peaked my attention.
The process is looping lead wire around
itself and being hammered flat
to produce a really different images.
Something that really made me think was when
she mentioned that the paper underneath
the lead made a really different looking 
picure.

Wednesday, 11 January 2012

Rituals of Making

This is the work of Matthew Harris,
these are large pieces put together sort of throwing
paper, fabric and paint together. The trouble
was during the lectures this guy came third
and i sort of went into very closed minded after
the last two artist and this guy suprised me 
because he really went in detail about his pratice
and the different techinques. Techinques is really 
what i look for in different artists, 
i just love to see how different people do the same
way of working. There was really intresting
stuff but the over all finished product isn't really
my thing, i thik it could be these fabrics pieces
that sort of put me off.

 

Rituals of Making

This is the work of Amy Twigger 
she is a fashion artist i think it is, she 
specialises in knitting clothing.
It was nice to look at but it wasn't 
really my thing. Its good to look at other fields
but i barley look at the clothes i wear
let alone people designing them and well
knitting i guess i jump straight to my nan
banging out a scarf on a sunday morning.
Her processes are mostly around knitting obviously
but she does use something that intrigued a
knitting machine something i had
never really heard of. Admitly with the 
machine she did some pretty amazing pattern
work that really got me thinking about this textiles.

Hereford Contemporary Craft Fair

 This is a piece of work from the Hereford
Contemporary Craft Fair that was in town, i had the
pleasure of going to. Alot of contemporary artists came
together and show off all there wares.
Just putting in a few pictures of the 
people i really enjoyed to look at.

This is the work of Harmony Jutle,
this was a really good stall. I was there for
a long time just checking out the stuff, man
if i had some spare money i would
love to pick up some of these items.
I asked about the techinques but the woman didn't
want to give her trade secrets away.


 This was probably my personal faveriote of
mine. I have been a big cog nut so this 
really pushed my buttons, i was stood in awe 
of it working away while the guy was just looking 
at me. There done by a guy called Bruce Aitken
they were a bit pricey but i would love to own one of these.
While i was talking to him he said he makes
himself up with a chisel so obviously the time it 
takes to make these up you can understand
why they are so costly.


This is a set of pots done by Josephine Harvey,
i used to do ceramics quite alot so i really got
into looking at alternative pots, i got into
a big talk with the lady about how she put them
together i thought it might be a slip and
attach process but she said during the bowl 
process she pulled the clay out making the spikes.


This was a piece that got me intrigued,
its these little bowels by Karina Gill it 
was more the design and techinque that
really made me have a think about it.
The stacking of the metal in a circle around, 
the pattern looks like it was machine done onto the
panels then hand done to place them together.


Yorkshire Sculpture Park

This is the work of David Nash, one of my
all time faveroite artists. This a picture i took
myself at the Yorkshire Sculpture Park, living in 
Yorkshire myself it was literally down the road from 
me so i always in there. When i found out there
was going to be a David Nash Exihbition i went 
mental waiting for his stuff, as soon
as it was put i was one of the first to be there and
see it, i must have spent 7 hours a day
there for a week looking through all his stuff
sketching it and talking to the curotors.

 I think it's his respect for the materail
which has made me follow the career of
David Nash for so long, he really puts himself
into every piece he does in a different way.

 This was my faveriote of all his works, 
its just the simplicty but beuty of it that just
made me stand in awe of it for hours. I know
very little about this piece but what i do
know is it is one of thee most beutiful pieces
of artwork i have ever seen.
This is my fondest memory of a gallery space
and of any Exhibition ive been too

Ludlow Castle

This is the work of Stephen Cox that we got
the pleasure of seeing at Ludlow castle,
I didn't think much to the castle going but
once inside is when it really came alive
there are several of Cox's pieces placed
around the grounds of the castle and
it was a real delight to find them around.

  I think the main highlight for me
personally was meeting Stephen Cox in person, he 
did a short talk to the group then walked round
meeting people and really giving an 
insight into his work. I was blown away
talking to him, i mean here he is an artist
at the real front of his field just wandering
around speaking to students.
This is the piece where i was lucky enough
to talk to him myself, i wanted to know how he
had done it and straight away he went into the
process of smoothing it off after carving, but
one thing that got me about this
piece was the section left unpolished, i asked him
and he just said thats the way he 
felt the piece was going in his eyes and i
couldn't agree more with him that little
bit of unpolished makes this so much better
than a shiny rock.

As you could see there was alot of odd angles
you could find yourself looking down on
these pieces and how they looked on a more 
360 degree basis.

I was really inspired by this entire
exihibition to see what i could do with stone and
how i could use it in my own pratice.
I never really saw the beuty in it until i saw
these pieces